Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers, scores of awards and solo exhibits, and streams of praise flowing from pens of the top art critics. Over the course of his 60+ year career Carter evolved from an exceptionally fine American Scene painter capable of evoking deep reservoirs of mood, into an abstractionist with a strongly surrealist bent.
While his two bodies of work seem at first to be worlds apart, owing to their different formal vocabularies, they, in fact, explore virtually the same subject: the nexus between life and death and the transition from earth to spirit. The early work finds its expressive power through specific people, events, and landscapes—most of which are drawn from his experiences growing up in the river town of Portsmouth, Ohio—while the later work from the 1960s on evokes potent states of being through pure flat shape, color and form that read as universals. As his primary form he adopted the ovoid or egg shape, endowing it with varying degrees of transparency. Alone or in multiples, the egg moves through Carter’s landscapes and architectural settings like a sentient spirit on a restless quest.
Born and raised in southern Ohio along the banks of the mercurial Ohio River and its treacherous floods, Carter developed a love of drawing as a child, and was encouraged by both his parents. He was self-directed, found inspiration all around him, and was strongly encouraged by the fact that his teenage work consistently captured art prizes in county and state fairs. Although money was tight after his father (who was a postal worker) died suddenly of a stroke, Carter’s mother supported his desire to study at the Cleveland School of Art from 1923-27, where he trained under painters Henry Keller, Frank Wilcox and Paul Travis.
In the summer of 1927, Carter studied in Capri with the modernist Hans Hofmann, where he carried out compositional exercises in charcoal and paint, recording the lucid spatial order of stairs, walls, roofs, arches and other elements of the island’s compressed architecture. Returning to Cleveland in 1929, Carter had his first solo show, and through Milliken taught studio classes at the Cleveland Museum of Art from 1930-37. In 1934, he worked under the auspices of the Public Works of Art Project and won a commission to paint two murals in Cleveland’s Public Auditorium. In 1936, he painted a post office mural in Ravenna, Ohio, as well as one for the post office in his hometown of Portsmouth, where his father had worked. He then headed the Northeast Ohio division of the painting projects arm of the Works Progress Administration, a subsequent government art program. In 1938, he moved to Pittsburgh to teach at the Carnegie Institute of Technology until 1944. Carter’s American Scene paintings of the ’30s and ’40s, which launched his artistic star, are the works for which the artist remains best known.
During and immediately after World War II, Clarence Carter realized his attraction to bold pattern, dramatic perspective and eye-catching hard-edged design was a poor fit with the prevailing style of Abstract Expressionism. Fortunately, these same hallmarks of his style were prized within the realm of commercial art. Thus, from 1944-1959, Carter became a veritable “Mad Man [Madison Avenue Man],” designing ambitious series of advertisements for major corporations such as Alcoa and The National City Bank of New York (Citibank) which appeared on the back covers of Fortune magazine, and on inside pages of Time, Newsweek, Business Week, and US News & World Report. Carter described this period of his life as one of incredible inventiveness and imagination. It freed him up to be far more experimental in his approach to image-making.
Around 1964 Carter acknowledged a need to break from the confines of representational painting. Once Carter had found a potent symbol in the egg, he used it to create an astounding body of imagery for the rest of his life. Among the most ambitious of all his later paintings were his Transections, a theological term meaning to cross, specifically between life and death.
Dr. Marianne Berardi
Works by Clarence Holbrook Carter
Torre di Tiberio, 1951 Clarence Holbrook Carter
The Lady of Shalott, 1927 - SOLD Clarence Holbrook Carter
The Buckling House, 1928 Clarence Holbrook Carter
LaFonson's Pride, 1928 Clarence Holbrook Carter
Kentucky Hills, 1929 Clarence Holbrook Carter
Green House, 1930 Clarence Holbrook Carter
Railroad Avenue (Cleveland), 1930 Clarence Holbrook Carter
Blonde, 1932 Clarence Holbrook Carter
Lemons, 1933 Clarence Holbrook Carter
Still Life with Apples, 1940 Clarence Holbrook Carter
Hospitalities Long Past, 1941 Clarence Holbrook Carter
Riding the Surf, 1945 Clarence Holbrook Carter
Snow in the Forest, 1945 Clarence Holbrook Carter
We Demand (Strike), 1946 Clarence Holbrook Carter
The Bird Vendor of Caracas, 1946 Clarence Holbrook Carter
Woman of Caracas, 1946 Clarence Holbrook Carter
Woman with Mantilla, 1948 Clarence Holbrook Carter
Squirrels in a Cage, 1949 Clarence Holbrook Carter
Late Night Street No. 1, Study for National City Bank of New York Christmas Card, 1950 Clarence Holbrook Carter
Late Night Street No. 2, Study for National City Bank of New York Christmas Card, 1950 Clarence Holbrook Carter
How Many Times?, 1952 Clarence Holbrook Carter
Weight of History, 1953 Clarence Holbrook Carter
Study for "Aluminum . . . and The National City Bank of New York", 1953 Clarence Holbrook Carter
Study for "Pharmaceuticals . . . and The National City Bank of New York", 1953 Clarence Holbrook Carter
Study for "Meat Packing . . . and The National City Bank of New York", 1954 Clarence Holbrook Carter
King Cotton, Study for "Cotton . . . and The National City Bank of New York", 1954 Clarence Holbrook Carter
Study for "Farm Equipment . . . and The National City Bank of New York", 1955 Clarence Holbrook Carter
Study for Cover of Modern Plastics Magazine, September 1958 Clarence Holbrook Carter
Precarious Balance No. 2, 1960 Clarence Holbrook Carter
Seeing Egg, c. 1960s Clarence Holbrook Carter
Torso, c. 1960 Clarence Holbrook Carter
Departing from the System, 1961 Clarence Holbrook Carter
Arrows, 1961 Clarence Holbrook Carter
Terror of History No. 1, 1962 Clarence Holbrook Carter
Rockefeller Center, 1962 Clarence Holbrook Carter
Over and Above No. 8, 1963 Clarence Holbrook Carter
Over & Above Cat, “Who Me?”, 1963 Clarence Holbrook Carter
Over and Above: No. 6, 1963 Clarence Holbrook Carter
Gear, 1964 Clarence Holbrook Carter
Over and Above No. 15, 1964 Clarence Holbrook Carter
Over and Above No. 17, 1965 Clarence Holbrook Carter
Air Chamber, 1965 Clarence Holbrook Carter
On the Red Line, 1965 Clarence Holbrook Carter
Balancing Act, 1965 Clarence Holbrook Carter
Leda and the Swan, 1965 Clarence Holbrook Carter
Eye of the Desert, 1965 Clarence Holbrook Carter
Divided, 1965 Clarence Holbrook Carter
Chromatic, 1965 Clarence Holbrook Carter
Medieval Heads, 1966 Clarence Holbrook Carter
Icon Mandala, 1967 Clarence Holbrook Carter
Torso No. 3, 1967 Clarence Holbrook Carter
King Tut No. 2, 1968 Clarence Holbrook Carter
Mandala No. 4, 1968 Clarence Holbrook Carter
Empress of the North, 1968 Clarence Holbrook Carter
Mandala No. 15, 1969 Clarence Holbrook Carter
Icon No. 18, 1969 Clarence Holbrook Carter
Yellow Mandala, 1969 Clarence Holbrook Carter
Red Mandala, 1969 Clarence Holbrook Carter
White and Black Mandala, 1969 Clarence Holbrook Carter
Yellow Mandala, c. 1970s Clarence Holbrook Carter
Caged, 1971 Clarence Holbrook Carter
Fault Lines, 1971 Clarence Holbrook Carter
Seeing Reverberations, 1971-79 Clarence Holbrook Carter
Transection No. 3, 1972 Clarence Holbrook Carter
Transection No. 15, 1972 Clarence Holbrook Carter
Night Garden, 1972 Clarence Holbrook Carter
Chimera No. 6, 1973 Clarence Holbrook Carter
In the Window, 1973 Clarence Holbrook Carter
Ablaze, 1973-1979 Clarence Holbrook Carter
Chimeras, 1974 Clarence Holbrook Carter
Over and Above: Lion, 1974 Clarence Holbrook Carter
It's Time, 1974 Clarence Holbrook Carter
Eschatos: Storming, Study for Eschatos No. 32, 1976 Clarence Holbrook Carter
Green Mandala Silkscreen, 1976 Clarence Holbrook Carter
City Scape, 1978 Clarence Holbrook Carter
The Mayor, 1979 Clarence Holbrook Carter
Quadratic, 1979 Clarence Holbrook Carter
The Gold Coast, 1979 Clarence Holbrook Carter
The Cry, 1979 Clarence Holbrook Carter
Hesitant, 1979 Clarence Holbrook Carter
Villa by the Sea, 1979 Clarence Holbrook Carter
"Is that so?", 1980 Clarence Holbrook Carter
Rainbow Mandala, 1983 Clarence Holbrook Carter
Eschatos, 1983 Clarence Holbrook Carter
Haunted by Memories, 1986 Clarence Holbrook Carter
Departed, 1986 Clarence Holbrook Carter
Oversight, 1989 Clarence Holbrook Carter
Waterbury Monument, 1990 Clarence Holbrook Carter
Transection No. 2, 1991 Clarence Holbrook Carter
Maze, 1991 Clarence Holbrook Carter
Ovoid, 1992 Clarence Holbrook Carter
Coming Storm Over Roviano, Italy, 1927 Clarence Holbrook Carter
Confederate Soldiers' Cemetery, Camp Chase, Columbus, Ohio, 1929 Clarence Holbrook Carter
Sleeping Cat, 1929 Clarence Holbrook Carter
Performing Elephants and Seal, c. 1930s Clarence Holbrook Carter
Aerial Performer, 1931 Clarence Holbrook Carter
Portsmouth and Kentucky Hills, 1932 Clarence Holbrook Carter
The Gathering of Grapes, 1932 Clarence Holbrook Carter
Toilet d'une femme, 1932 Clarence Holbrook Carter
Capri Cat, 1932 Clarence Holbrook Carter
Sisters, 1934 Clarence Holbrook Carter
Kentucky Tobacco, 1934 Clarence Holbrook Carter
Flora, 1935 Clarence Holbrook Carter
Riderless Racers, 1935 Clarence Holbrook Carter
Patterns of Antiquity, 1937 Clarence Holbrook Carter
Petore, Venezuela, 1944 Clarence Holbrook Carter
Walking Nude, 1945 Clarence Holbrook Carter
Armando Reveron, 1946 Clarence Holbrook Carter
Reveron's Ladies, 1946 Clarence Holbrook Carter
Macuto Mannequin, 1946 Clarence Holbrook Carter
In the Atmosphere, c. 1950s Clarence Holbrook Carter
The Launch, c. 1950s Clarence Holbrook Carter
Foundry, c. 1950s Clarence Holbrook Carter
Study for "Aluminum . . . and The National City Bank of New York" I, 1953 Clarence Holbrook Carter
Study for 'Meat Packing . . . and The National City Bank of New York', 1954 Clarence Holbrook Carter
Asteroid, 1955 Clarence Holbrook Carter
Study for Modern Plastics Magazine, 1958 Clarence Holbrook Carter
Pinnacle, c. 1960s Clarence Holbrook Carter
Double Ovoids with Blue and Black, 1960s Clarence Holbrook Carter
Cicada, c. 1960s Clarence Holbrook Carter
Study for Math Man No. 4, 1960 Clarence Holbrook Carter
Christmas in Space, 1961 Clarence Holbrook Carter
Ninth Hour, 1961 Clarence Holbrook Carter
Study for 'The Victim', 1962 Clarence Holbrook Carter
Dichotomy, 1962 Clarence Holbrook Carter
Projective No. 1, 1962 Clarence Holbrook Carter
Projective No. 3, 1962 Clarence Holbrook Carter
In and Out, 1963 Clarence Holbrook Carter
Over and Above: Cicada, 1963 Clarence Holbrook Carter
People, 1964 Clarence Holbrook Carter
St. Francis Before the Cross, 1964 Clarence Holbrook Carter
Seeing Egg No. 2, 1965 Clarence Holbrook Carter
Vetriculus Egg, 1965 Clarence Holbrook Carter
Peering Out, Study for Medieval Heads, c. 1966 Clarence Holbrook Carter
Torso No. 1, 1967 Clarence Holbrook Carter
Torso No. 5, 1967 Clarence Holbrook Carter
Torso No. 3 (I), 1967 Clarence Holbrook Carter
Torso No. 4, 1967 Clarence Holbrook Carter
Mandala No. 5, 1968 Clarence Holbrook Carter
Green and Red Mandala, 1969 Clarence Holbrook Carter
Silver and Black Mandala, 1969 Clarence Holbrook Carter
Green Mandala, 1969 Clarence Holbrook Carter
Expanding Mandala, c. 1970s Clarence Holbrook Carter
Reverberations, 1970 Clarence Holbrook Carter
Green Orb No. 2, c. 1970s Clarence Holbrook Carter
Green Mandala, 1970 Clarence Holbrook Carter
Blue Mandala Silkscreen, 1970 Clarence Holbrook Carter
Reverberations, 1971 Clarence Holbrook Carter
Joseph and his Brothers, 1971 Clarence Holbrook Carter
Transection No. 3, 1973 Clarence Holbrook Carter
John Bunyon in Bedford Jail - 1667, 1975 Clarence Holbrook Carter
Green Mandala, 1976 Clarence Holbrook Carter
The Burning Bush, 1977 Clarence Holbrook Carter
Eschatos 23, 1977 Clarence Holbrook Carter
Sunset, 1977 Clarence Holbrook Carter
Tulip, 1977 Clarence Holbrook Carter
Eschatos No. 18, 1977 Clarence Holbrook Carter
Abstract Tulip, 1978 Clarence Holbrook Carter
Ninth Hour, 1978 Clarence Holbrook Carter
Fiery Furnace, 1978 Clarence Holbrook Carter
Outside the Limits, 1979 Clarence Holbrook Carter
Maidenhead Clarence Holbrook Carter
Up the Avenue, 1979 Clarence Holbrook Carter
The Clowns Making Up, 1979 Clarence Holbrook Carter
Highway, 1979 Clarence Holbrook Carter
Watcher, 1979 Clarence Holbrook Carter
Carousel by the Sea, 1979 Clarence Holbrook Carter
Eschatos No. 21, 1979 Clarence Holbrook Carter
Homestead, 1979 Clarence Holbrook Carter
Two Acrobats, 1979 Clarence Holbrook Carter
Transection with Architectural Forms, c. 1980s Clarence Holbrook Carter
Procession, c. 1980s Clarence Holbrook Carter
The Flood, 1981 Clarence Holbrook Carter
Maze, 1982 Clarence Holbrook Carter
Study for 'Haunted by Memories', 1986 Clarence Holbrook Carter
The Way Out, 1992 Clarence Holbrook Carter
Circus Figure Sketch, c. 1920 Clarence Holbrook Carter
Carousel, Study , c. 1920 Clarence Holbrook Carter
Circus Acrobat, c. 1920s Clarence Holbrook Carter
Eating Alone, 1924 Clarence Holbrook Carter
"Fire Out the Window of a John Huntington Classroom", 1926 Clarence Holbrook Carter
Anticoli at Night, 1927 Clarence Holbrook Carter
Woman Spinning, Anticoli Corrado, Italy, 1927 Clarence Holbrook Carter
The Water Carrier, Anticoli Corrado, Italy, c. 1927 Clarence Holbrook Carter
Composition Capri, 1927 Clarence Holbrook Carter
Steps and Vineyard, 1927 Clarence Holbrook Carter
Donkey, 1927 Clarence Holbrook Carter
Conversazione, Anticoli Corrado, 1927 Clarence Holbrook Carter
Anticoli Corrado, Italy, 1927 Clarence Holbrook Carter
Mother and Child, c. 1927 Clarence Holbrook Carter
Study for Stairwell at the Cleveland School of Art, 1927 Clarence Holbrook Carter
Study for Hat Display on the Rue Grammont, Paris, 1928 Clarence Holbrook Carter
Study for 'Lafonson's Pride', 1928 Clarence Holbrook Carter
Study for “The Patient Cow”, 1928 Clarence Holbrook Carter
Monument to Kossuth, 1929 Clarence Holbrook Carter
Tunisian and Mexican Girl, c. 1930s Clarence Holbrook Carter
Tobacco Plant Study, 1930 Clarence Holbrook Carter
Circus Performers, c. 1930s Clarence Holbrook Carter
Circus Horses, c. 1930s Clarence Holbrook Carter
Couples at Diner, 1930 Clarence Holbrook Carter
Café Scene, 1930 Clarence Holbrook Carter
Study for Sphinx, c. 1930's Clarence Holbrook Carter
Theodore Roosevelt in Pith Helmet, c. 1930s Clarence Holbrook Carter
Standing Nude, c. 1930s Clarence Holbrook Carter
Gathered at the Table, Study for "Let Us Give Thanks", 1930 Clarence Holbrook Carter
Conductor, 1930 Clarence Holbrook Carter
Line Out of Boat, 1930 Clarence Holbrook Carter
The Mourners, 1930 Clarence Holbrook Carter
Circus Horse, c. 1930s Clarence Holbrook Carter
Reclining Nude, c. 1930s Clarence Holbrook Carter
Mother and Child, c. 1930s Clarence Holbrook Carter
Lake George Steamer, 1931 Clarence Holbrook Carter
Summer Night, 1932 Clarence Holbrook Carter
Fence and Corn Crib, Chillicothe, Ohio, 1932 Clarence Holbrook Carter
Reclining Nude I, 1932 Clarence Holbrook Carter
Three Studies for 'Trapeze Artists', 1933 Clarence Holbrook Carter
Study for Mummers, 1933 Clarence Holbrook Carter
Jack Greitzer at the Palmer House, Chicago World's Fair, 1933 Clarence Holbrook Carter
'Give Us This Day', Self-Portrait Study for Let Us Give Thanks, 1933 Clarence Holbrook Carter
Standing Nude, 1934 Clarence Holbrook Carter
Standing Nude I, 1934 Clarence Holbrook Carter
At Sea, 1935 Clarence Holbrook Carter
Lake Superior Locks, 1935 Clarence Holbrook Carter
On Board the Fink, 1935 Clarence Holbrook Carter
Standing Nude, 1935 Clarence Holbrook Carter
Drawings for Entrance Hall of William M. Milliken at Wade Park Manor, No. 1-3, 1938 Clarence Holbrook Carter
Torso, 1940 Clarence Holbrook Carter
Seated Nude, 1940 Clarence Holbrook Carter
Race Horse and Jockey, c. 1940s Clarence Holbrook Carter
Woman on Train, c. 1940s Clarence Holbrook Carter
Commuters , 1940 Clarence Holbrook Carter
Waiting for the Train, c. 1940s Clarence Holbrook Carter
Standing Nude, c. 1940s Clarence Holbrook Carter
Standing Nude, 1940 Clarence Holbrook Carter
Men, 1940 Clarence Holbrook Carter
Reclining Torso, 1941 Clarence Holbrook Carter
Woman Gathering Coal, Study for Jane Reed and Dora Hunt, 1941 Clarence Holbrook Carter
Standing Nude, 1941 Clarence Holbrook Carter
Seated Nude, 1941 Clarence Holbrook Carter
Sketch for "Jane Reed and Dora Hunt", 1941 Clarence Holbrook Carter
Finished Study for "Jane Reed and Dora Hunt", 1941 Clarence Holbrook Carter
Store Interior - Suriname, 1944 Clarence Holbrook Carter
Carousel Sketch, c. 1946 Clarence Holbrook Carter
Sketch for 'Circus Performer', 1947 Clarence Holbrook Carter
Radiation Room at Sloan Kettering, 1947 Clarence Holbrook Carter
Ohio River Boat, 1949 Clarence Holbrook Carter
Working in the Sun, 1949 Clarence Holbrook Carter
Angel, c. 1950s Clarence Holbrook Carter
Powerlines No. 1, Study for 'Communications . . . and The National City Bank of New York', c. 1950's Clarence Holbrook Carter
Powerlines No. 2, Study for "Communications . . . and The National City Bank of New York", c. 1950's Clarence Holbrook Carter
Calisthenics, c. 1950s Clarence Holbrook Carter
Study for an Atom, c. 1950s Clarence Holbrook Carter
Study for Late Night Street No. 2, National City Bank of New York Christmas Card, c. 1950 Clarence Holbrook Carter
Communication, 1951 Clarence Holbrook Carter
Study for 'Shipping . . . and The National City Bank of New York', 1953 Clarence Holbrook Carter
Yellow Geometries, 1953 Clarence Holbrook Carter
Study for "Glass . . . and The National City Bank of New York", 1953 Clarence Holbrook Carter
Semi-Trucks, The National City Bank of New York, c. 1955 Clarence Holbrook Carter
Manhattan View, 1955 Clarence Holbrook Carter
Pipelines, 1955 Clarence Holbrook Carter
Volcano, Taormina, 1956 Clarence Holbrook Carter
Study for "Black Diamonds, The National City Bank of New York", c. 1956 Clarence Holbrook Carter
Crucifix, 1957 Clarence Holbrook Carter
Study for "Splendid in Ashes" Book Cover for The Viking Press, 1958 Clarence Holbrook Carter
Flag Stripes No. 1, c. 1960s Clarence Holbrook Carter
Flag Stripes No. 2, c. 1960s Clarence Holbrook Carter
Looking in Different Directions, c. 1960s Clarence Holbrook Carter
Over and Above: Fish Clarence Holbrook Carter
Over and Above: Kangaroo, c. 1960s Clarence Holbrook Carter
Study for Triptych, 1960s Clarence Holbrook Carter
Neon Ovoids, c. 1960s Clarence Holbrook Carter
Transection in Red and Green, c. 1960s Clarence Holbrook Carter
Triple Balance: Red and Black, c. 1960s Clarence Holbrook Carter
Study for Triptych Clarence Holbrook Carter
J.F.K. Election Sketch, 1960 Clarence Holbrook Carter
'There is Always a Division Divided' Clarence Holbrook Carter
J.F.K. Election, 1960 Clarence Holbrook Carter
Astronaut, 1960 Clarence Holbrook Carter
Sun, 1960 Clarence Holbrook Carter
Romanesque, c. 1960s Clarence Holbrook Carter
Eggs and Flags, J.F.K. Election Sketch, c. 1960 Clarence Holbrook Carter
Over and Above Study: Fish I, c. 1960s Clarence Holbrook Carter
Over and Above Study: Fish, c. 1960s Clarence Holbrook Carter
Over and Above Study: Mountain Goat, 1960 Clarence Holbrook Carter
Over and Above Study: Mouse, c. 1960s Clarence Holbrook Carter
Atlas Shrugged, 1960 Clarence Holbrook Carter
Spiral Staircase, 1960 Clarence Holbrook Carter
Top of the Stairs, 1960 Clarence Holbrook Carter
Over and Above Study: Squirrel, c. 1960s Clarence Holbrook Carter
The Astronaut, 1960 Clarence Holbrook Carter
Volcano and Arch, Taormina, 1961 Clarence Holbrook Carter
Volcanic Eruption, Taormina, c. 1961 Clarence Holbrook Carter
Sun, 1961 Clarence Holbrook Carter
Monument No. 2, 1962 Clarence Holbrook Carter
Planting Tobacco, 1962 Clarence Holbrook Carter
Highway sketchcard, 1962 Clarence Holbrook Carter
Architectural Sketches I, 1962 Clarence Holbrook Carter
Architectural Sketches, 1962 Clarence Holbrook Carter
Study for Dichotomy, 1962 Clarence Holbrook Carter
Study for Terror of History No. 4 (The Bird That Hatched The Egg of Experience), 1963 Clarence Holbrook Carter
Device, 1963 Clarence Holbrook Carter
Sketch for St. Francis Before the Cross, 1964 Clarence Holbrook Carter
Double Ovoids with Green and Brown, 1965 Clarence Holbrook Carter
Confined, 1965 Clarence Holbrook Carter
Gray Eggs, 1965 Clarence Holbrook Carter
Triple Balance: Black, Red and Blue Clarence Holbrook Carter
Tarantula Study, 1965 Clarence Holbrook Carter
Over and Above Surprise (Serpent), 1967 Clarence Holbrook Carter
Vetriculus, c. 1970s Clarence Holbrook Carter
Ascending Eggs, c. 1970s Clarence Holbrook Carter
Transection Study, c. 1970's Clarence Holbrook Carter
Amidst the Maze, 1970 Clarence Holbrook Carter
Zebra Man, 1970 Clarence Holbrook Carter
Studies on Perspective, c. 1970s Clarence Holbrook Carter
Hiding, 1970 Clarence Holbrook Carter
Deer, 1971 Clarence Holbrook Carter
Pappy (Study for Over and Above: Gorilla),, c. 1973 Clarence Holbrook Carter
In Glory No. 1, 1973 Clarence Holbrook Carter
Study for Eschatos No. 6, 1973 Clarence Holbrook Carter
Flaming Mandala Clarence Holbrook Carter
Transection No. 24 after Perugino, 1975 Clarence Holbrook Carter
Study for Transection No. 26, 1976 Clarence Holbrook Carter
Transection: Crypts, 1976 Clarence Holbrook Carter
Entr'acte, 1977 Clarence Holbrook Carter
David and Bathsheba, 1979 Clarence Holbrook Carter
Study for Visitation No. 1, 1980 Clarence Holbrook Carter
Study for Worlds Beyond I, 1980 Clarence Holbrook Carter
Visitation, 1980 Clarence Holbrook Carter
Study for Worlds Beyond, 1980 Clarence Holbrook Carter
Study for Release, 1980 Clarence Holbrook Carter
Study for Departure, 1981 Clarence Holbrook Carter
Study for Aspiration, 1982 Clarence Holbrook Carter
Study for Maze, 1982 Clarence Holbrook Carter
Study for Labyrinthine, 1982 Clarence Holbrook Carter
Study for Twin Towers, 1984 Clarence Holbrook Carter
In the Courtyard, 1985 Clarence Holbrook Carter
Study for Transection No. 1, c. 1970, 1986 Clarence Holbrook Carter
The Visitor, No.1, 1986 Clarence Holbrook Carter
The Visitor, No. 2, 1986 Clarence Holbrook Carter
Balcony, 1986 Clarence Holbrook Carter
Surveying the Ramparts, 1986 Clarence Holbrook Carter
Transection with Stairs, c. 1990 Clarence Holbrook Carter
Sketch for Maze, 1991 Clarence Holbrook Carter
Triple Balance: Foiled, 1993 Clarence Holbrook Carter
SOLD
Adam and Eve, 1926 Clarence Holbrook Carter
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Plums, 1930 Clarence Holbrook Carter
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Market Scene, Italy , 1927 Clarence Holbrook Carter
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Siena Steps, 1928 Clarence Holbrook Carter
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Chemung Valley, New York, 1929 Clarence Holbrook Carter
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Winter Harvest Clarence Holbrook Carter
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Winter Cornfield Clarence Holbrook Carter
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Evening Woods Clarence Holbrook Carter
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Winter Sunflower Clarence Holbrook Carter
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Sphinx Clarence Holbrook Carter
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Cold Night, 1930 Clarence Holbrook Carter
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Elmira Star Barn, 1931 Clarence Holbrook Carter
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Gas is Cheap, 1931 Clarence Holbrook Carter
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Mary Anne Moore, 1932 Clarence Holbrook Carter
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Mathilde, 1935 Clarence Holbrook Carter
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Subzero, Cleveland, 1939 Clarence Holbrook Carter
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Pensive Girl (Phyllis), 1941 Clarence Holbrook Carter
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Model Tobacco, 1941 Clarence Holbrook Carter
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Island Street, 1945 Clarence Holbrook Carter
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Young Farmer, 1946 Clarence Holbrook Carter
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Minervas, 1947 Clarence Holbrook Carter
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Office Files and City View Clarence Holbrook Carter
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Crow Scarecrow, 1951 Clarence Holbrook Carter
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Study for "Paper . . . and The National City Bank of New York", 1952 Clarence Holbrook Carter
SOLD
Over and Above: Parrot Clarence Holbrook Carter
SOLD
Fall Serenity, Lukewarm Clarence Holbrook Carter
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Day's Catch , 1961 Clarence Holbrook Carter
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Fisherman, 1961 Clarence Holbrook Carter
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Radioactive, 1961 Clarence Holbrook Carter
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Guardian Angel, 1962 Clarence Holbrook Carter
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Dichotomy II, 1962 Clarence Holbrook Carter
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Construction, Torso, 1964 Clarence Holbrook Carter
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Construction, Box, 1964 Clarence Holbrook Carter
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Over and Above No. 13, 1964 Clarence Holbrook Carter
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Torso, Black and White, 1964 Clarence Holbrook Carter
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Nun, 1965 Clarence Holbrook Carter
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Still Life with Watermelon, 1968 Clarence Holbrook Carter
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Blue Mandala, 1970 Clarence Holbrook Carter
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Transection with Red Heart, 1972 Clarence Holbrook Carter
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Icon Cruciferon, 1972-73 Clarence Holbrook Carter
SOLD
Transection, 1972 Clarence Holbrook Carter
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Eschatos No. 16, 1973 Clarence Holbrook Carter
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Following, 1973 Clarence Holbrook Carter
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Eschatos No. 32, 1974 Clarence Holbrook Carter
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Eschatos, 1974 Clarence Holbrook Carter
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Transection, 1975 Clarence Holbrook Carter
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Untitled, Eschatos, 1976 Clarence Holbrook Carter
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Balancing Act, 1978 Clarence Holbrook Carter
SOLD
Release, 1980 Clarence Holbrook Carter
SOLD
Study for Surveillance, 1981 Clarence Holbrook Carter
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Intrigue, 1982 Clarence Holbrook Carter
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Study for Sentinels 'B', 1985 Clarence Holbrook Carter
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Transection, 1991 Clarence Holbrook Carter
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Mule in a Landscape, 1928 Clarence Holbrook Carter
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Olive Trees, Capri, 1932 Clarence Holbrook Carter
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Dog Sleeping under a bed, 1933 Clarence Holbrook Carter
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Study for Office Files and City View, c. 1950s Clarence Holbrook Carter
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Torso Clarence Holbrook Carter
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Bird Woman, 1960 Clarence Holbrook Carter
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Torso, 1961 Clarence Holbrook Carter
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Unique, 1970 Clarence Holbrook Carter
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Transection, 1978 Clarence Holbrook Carter
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Transection I, 1978 Clarence Holbrook Carter
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Bottles and Beakers, 1923 Clarence Holbrook Carter
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Siena , 1927 Clarence Holbrook Carter
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Forms Capri, 1927 Clarence Holbrook Carter
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Mountains, Italy, 1927 Clarence Holbrook Carter
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Anticoli-Corrado, Italy VI, 1927 Clarence Holbrook Carter
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Vittorio Pagano Terrace, Capri, Italy, 1927 Clarence Holbrook Carter
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The Plumed Hat, 1930 Clarence Holbrook Carter
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Circus Girl, c. 1930s Clarence Holbrook Carter
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Jack Greitzer and William M. Milliken , 1933 Clarence Holbrook Carter
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Outside Cleveland, 1933 Clarence Holbrook Carter
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Nude Forward Thrust #76, 1936 Clarence Holbrook Carter
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Ohio River Flood of 1937, 1937 Clarence Holbrook Carter
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Box Car, 1943 Clarence Holbrook Carter
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Acrobat, 1946 Clarence Holbrook Carter
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'Picking Oranges in Florida', 1946 Clarence Holbrook Carter
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Orb with Green, Blue, Purple, and Gold, c. 1950s Clarence Holbrook Carter
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Sketch for Washington Cover Clarence Holbrook Carter
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Girls in Washington DC Clarence Holbrook Carter
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Washington Clarence Holbrook Carter
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Washington Monument Clarence Holbrook Carter
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Industrial Roller, Study for War Bride, 1953 Clarence Holbrook Carter
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'I Lost My Head Over Something' Clarence Holbrook Carter
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Study for Fisherman, 1961 Clarence Holbrook Carter
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Finished Study for Over and Above: Lion, c. 1970s Clarence Holbrook Carter
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Egg and Heart (Valentine's Day Card), c. 1978 Clarence Holbrook Carter
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Looking Within, 1979 Clarence Holbrook Carter
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Susanna and the Elders, 1979 Clarence Holbrook Carter
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Study for Visitation No. 2, 1980 Clarence Holbrook Carter
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Transection Study, 1981, 1981 Clarence Holbrook Carter
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Ghosts, 1986 Clarence Holbrook Carter
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Study for Geistes Ende, 1989 Clarence Holbrook Carter