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William Sommer, one of America’s great modernists, yet still relatively unknown throughout the country, will be the subject of a long overdue retrospective this spring. Sommer, a master lithographer by trade, was also the most well-known and highly respected artist in Cleveland at the turn of the last century. Influenced by the controversial, avant-garde Europeans, Sommer developed his own shocking palette and began a prolific career, often using his own rural milieu to create brilliant modern compositions. 

The core of the exhibition is derived from the 60-year collection of Martin Lerner, an art historian and former curator best known for his tenure as the Senior Curator of Indian and Southeast Asian Art at the Metropolitan Museum in New York City, a position he held from 1972 until his retirement in 2003. This collection began during Lerner’s tenure at the Cleveland Museum of Art and continued throughout his life.

The exhibition will be accompanied by a fully illustrated publication featuring original essays and scholarship by William H. Robinson, former Curator of Modern European Art and Head of the Department of European and American Painting and Sculpture at the Cleveland Museum of Art. The exhibition will be supported by public programming, including guided tours, lectures, and educational outreach programs. Additional lenders include both public institutions and private collections.

WILLIAM SOMMER Retrospective

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WOLFS is pleased to present the exhibition and sale of the remarkable Cleveland School artist August Frederick Biehle (1885-1979). The exhibition will highlight the breadth of styles that Biehle explored throughout his artistic career. This lack of commitment to a single style is one of the most distinctive features of Cleveland art between the world wars.

An early member of what is known as the Cleveland School of Art, Biehle made important contributions to the artistic character of the city during this era, including creating artwork for the legendary, prominent and provocative Kokoon Club.

August Biehle joined the Cleveland modernist movement in 1912, contributing to its gathering momentum. The son of a German-immigrant decorator, Biehle received his initial art training in Cleveland before going to Munich in 1903 and again in 1910 for two years of study.

"One of northeast Ohio’s most prolific and distinguished artists, Biehle combined masterful draftsmanship with a superior sense of design. He assimilated aspects of German Expressionism, Fauvism, and Cubism, and moved skillfully between a range of styles, from Jugendstil (a German modernist style) to American Scene realism. He also displayed his versatility by mastering a variety of media and techniques, from graphite drawing to painting in oil, gouache, pastel, and tempera." - William H. Robinson 

 

August Frederick Biehle: Reckoning with Modernism

WOLFS is pleased to present this exhibition featuring works from the artist’s estate including the debut of the Wilcox Western Collection. 

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