Artist: Clarence Holbrook Carter (American, 1904–2000)
Medium: acrylic on paper
Signature: signed and dated lower right
Dimensions:
22 in. h. x 30 in. w.
Description:
He refused to limit his efforts to a small world of exhibitions and art criticisms, nor would he surrender to the tinselled mechanical world of commercial necessity. Although variously labelled, he has followed none of the contemporary mannerisms in either the fine or the commercial arts. Nevertheless his work has consistently withstood both the sharp scrutiny of the art critics and the popular reaction of the public to national advertising programs sponsoring him. It is Carter's belief that the artist should serve the millions as well as the few, but he can do so only if he preserves that personal integrity which will permit him to produce only his best. -Laurence Schmeckebier (Director, Cleveland School of Art), Clarence H. Carter in Revew, November 1948
Type of Work: Paintings
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Other works by Clarence Holbrook Carter
Torre di Tiberio, 1951 Clarence Holbrook Carter
The Lady of Shalott, 1927 - SOLD Clarence Holbrook Carter
The Buckling House, 1928 Clarence Holbrook Carter
LaFonson's Pride, 1928 Clarence Holbrook Carter
Kentucky Hills, 1929 Clarence Holbrook Carter
Green House, 1930 Clarence Holbrook Carter
Railroad Avenue (Cleveland), 1930 Clarence Holbrook Carter
Blonde, 1932 Clarence Holbrook Carter
Lemons, 1933 Clarence Holbrook Carter
Still Life with Apples, 1940 Clarence Holbrook Carter
Hospitalities Long Past, 1941 Clarence Holbrook Carter
Riding the Surf, 1945 Clarence Holbrook Carter