Artist: Clarence Holbrook Carter (American, 1904–2000)
Medium: Acrylic and collage on paper
Signature: signed and dated upper right
Dimensions:
30 in. h. x 22 in. w.
Description:
"Beyond reality I felt there must be another realm to explore. I needed some symbol broader and more encompassing than human figures within actual environments. I experimented with symbols that grew naturally into the ovoid. Pure abstraction never satisfied me completely. I needed a contact with all that was and is. The ovoid has been an understandable symbol and a living part of life and cultures. It not only symbolizes life but also death and rebirth. I can use it in any context and it works emotionally, visually and abstractly. As a design element it can give meaning to an otherwise lifeless composition." -Clarence Holbrook Carter, Gimpel & Weitzenhoffer Ltd., New York, 1982
Type of Work: Paintings
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Other works by Clarence Holbrook Carter
Torre di Tiberio, 1951 Clarence Holbrook Carter
The Lady of Shalott, 1927 - SOLD Clarence Holbrook Carter
The Buckling House, 1928 Clarence Holbrook Carter
LaFonson's Pride, 1928 Clarence Holbrook Carter
Kentucky Hills, 1929 Clarence Holbrook Carter
Green House, 1930 Clarence Holbrook Carter
Railroad Avenue (Cleveland), 1930 Clarence Holbrook Carter
Blonde, 1932 Clarence Holbrook Carter
Lemons, 1933 Clarence Holbrook Carter
Still Life with Apples, 1940 Clarence Holbrook Carter
Hospitalities Long Past, 1941 Clarence Holbrook Carter
Riding the Surf, 1945 Clarence Holbrook Carter