Artist: Clarence Holbrook Carter (American, 1904–2000)
Medium: oil on canvas
Signature: signed and dated upper right, titled verso
Dimensions:
32 in. h. x 22 in. w.
Description:
"Earlier in my career I was interested in the life that I knew around me as material for my art. Along with that was a keen interest in things that were not always tangible. Death had a strong pull, the unseen was keenly felt. In other words, there were metaphysical aspects to reality, real yet unreal. Now the real has become further removed. The unreal has taken over but yet it is still all very real but no longer tangible. The imaginative is dominant." -Clarence Holbrook Carter, 1977, Mead Art Gallery, Amherst College, Amherst, Massachusetts
Exhibited: WOLFS Gallery, Cleveland, OH, Cleveland: A Cultural Center, July - August 2018, illustrated #116 page 120
Type of Work: Paintings
See More In:
Other works by Clarence Holbrook Carter
Torre di Tiberio, 1951 Clarence Holbrook Carter
The Lady of Shalott, 1927 - SOLD Clarence Holbrook Carter
The Buckling House, 1928 Clarence Holbrook Carter
LaFonson's Pride, 1928 Clarence Holbrook Carter
Kentucky Hills, 1929 Clarence Holbrook Carter
Green House, 1930 Clarence Holbrook Carter
Railroad Avenue (Cleveland), 1930 Clarence Holbrook Carter
Blonde, 1932 Clarence Holbrook Carter
Lemons, 1933 Clarence Holbrook Carter
Still Life with Apples, 1940 Clarence Holbrook Carter
Hospitalities Long Past, 1941 Clarence Holbrook Carter
Riding the Surf, 1945 Clarence Holbrook Carter