Artist: Clarence Holbrook Carter (American, 1904–2000)
Medium: Oil on canvas
Signature: signed and dated lower right
Dimensions: 37.25in. h x 53.25in. w
Description:
"For by all means this artist's expression in paint is irradiated with strongly personal traits. Yet it is as happily free from evidence of a defiant, febrile, surface-grounded effort just to be 'different.' Carter has said: 'I paint as I please, and always shall.' I suppose it could be argued that all artists, save those committed to follow out the strict specifications of a patron, might feel justified in saying as much. Yet many artists are not in reality as unfettered as all that. In Carter's case, at any rate, this terse pronouncement amounts to a great deal more than words." -Edward Alden Jewell (Art Critic of The New York Times), American Artist, November 1946
Exhibited: WOLFS Gallery, Cleveland, OH, Cleveland: A Cultural Center, July - August 2018, illustrated #41 page 54
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Other works by Clarence Holbrook Carter

Torre di Tiberio, 1951 Clarence Holbrook Carter

The Buckling House, 1928 Clarence Holbrook Carter

LaFonson's Pride, 1928 Clarence Holbrook Carter

Kentucky Hills, 1929 Clarence Holbrook Carter

Green House, 1930 Clarence Holbrook Carter

Railroad Avenue (Cleveland), 1930 Clarence Holbrook Carter

Blonde, 1932 Clarence Holbrook Carter

Lemons, 1933 Clarence Holbrook Carter

Still Life with Apples, 1940 Clarence Holbrook Carter

Hospitalities Long Past, 1941 Clarence Holbrook Carter

Riding the Surf, 1945 Clarence Holbrook Carter

Snow in the Forest, 1945 Clarence Holbrook Carter