Artist: Clarence Holbrook Carter (American, 1904–2000)
Medium: acrylic on paper
Dimensions:
4.5 in. h. x 3.5 in. w., paper
11 in. h. x 10 in. w., as framed
Description:
Carter's quest for a symbolic artistic language continued in this period with the introduction for the Ovoid or Egg form into his work. Perfectly suited to his preoccupation with the mysteries of life and the themes of death and transfiguration, the Ovoid or Egg symbolized all of these mysteries in a succinct and visually simple form. The Ovoid/Egg is employed in various fashions to wonderful effect by Carter. It is at once tough and fragile, and in Carter's depictions it is opaque or translucent; it is reminiscent of the shape of a human head, it becomes a substitute for a person or a soul. The Egg/Ovoid that is devoid of human features is given a single eye, or mouth, and is an instantly recognizable reduction of the human being.
Type of Work: Paintings
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Other works by Clarence Holbrook Carter
Torre di Tiberio, 1951 Clarence Holbrook Carter
The Lady of Shalott, 1927 - SOLD Clarence Holbrook Carter
The Buckling House, 1928 Clarence Holbrook Carter
LaFonson's Pride, 1928 Clarence Holbrook Carter
Kentucky Hills, 1929 Clarence Holbrook Carter
Green House, 1930 Clarence Holbrook Carter
Railroad Avenue (Cleveland), 1930 Clarence Holbrook Carter
Blonde, 1932 Clarence Holbrook Carter
Lemons, 1933 Clarence Holbrook Carter
Still Life with Apples, 1940 Clarence Holbrook Carter
Hospitalities Long Past, 1941 Clarence Holbrook Carter
Riding the Surf, 1945 Clarence Holbrook Carter