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Animal Oil on Canvas Painting:

Clarence Holbrook Carter (American, 1904–2000) Over and Above No. 8, 1963

Abstract Animal Watercolor and Feathers on Scintilla Paper Drawing:

Clarence Holbrook Carter (American, 1904–2000) Over & Above Cat, “Who Me?”, 1963

Over and Above: No. 6 by Clarence Holbrook Carter

Clarence Holbrook Carter (American, 1904–2000) Over and Above: No. 6, 1963

Abstract Assemblage Sculpture:

Clarence Holbrook Carter (American, 1904–2000) Gear, 1964

Over and Above No. 15 by Clarence Holbrook Carter

Clarence Holbrook Carter (American, 1904–2000) Over and Above No. 15, 1964

Animal Monumental oil on canvas Painting:

Clarence Holbrook Carter (American, 1904–2000) Over and Above No. 17, 1965

Abstract Collage, graphite and gouache on paper Painting:

Clarence Holbrook Carter (American, 1904–2000) Air Chamber, 1965

Abstract Acrylic on Textured Paper Painting:

Clarence Holbrook Carter (American, 1904–2000) On the Red Line, 1965

Abstract Acrylic and Collage on Paper Painting:

Clarence Holbrook Carter (American, 1904–2000) Balancing Act, 1965

Abstract Figural Pastel and Graphite on Texture Paper Drawing:

Clarence Holbrook Carter (American, 1904–2000) Leda and the Swan, 1965

Abstract Collage, Pencil and Gouache on Paper Art piece:

Clarence Holbrook Carter (American, 1904–2000) Eye of the Desert, 1965

Abstract Acrylic and Collage on Scintilla:

Clarence Holbrook Carter (American, 1904–2000) Divided, 1965

Abstract Acrylic and Collage on Scintilla:

Clarence Holbrook Carter (American, 1904–2000) Chromatic, 1965

Medieval Heads by Clarence Holbrook Carter

Clarence Holbrook Carter (American, 1904–2000) Medieval Heads, 1966

Abstract Acrylic on Paper Painting:

Clarence Holbrook Carter (American, 1904–2000) Icon Mandala, 1967

Abstract Acrylic on Scintilla Painting:

Clarence Holbrook Carter (American, 1904–2000) Torso No. 3, 1967

Abstract gouache on Paper Painting:

Clarence Holbrook Carter (American, 1904–2000) King Tut No. 2, 1968

Abstract Acrylic on Scintilla Painting:

Clarence Holbrook Carter (American, 1904–2000) Mandala No. 4, 1968

Mandala No. 15 by Clarence Holbrook Carter

Clarence Holbrook Carter (American, 1904–2000) Mandala No. 15, 1969

Abstract Acrylic on Cardboard Painting:

Clarence Holbrook Carter (American, 1904–2000) Icon No. 18, 1969

Abstract Silkscreen Print:

Clarence Holbrook Carter (American, 1904–2000) Yellow Mandala, 1969

Abstract Silkscreen on Scintilla Painting:

Clarence Holbrook Carter (American, 1904–2000) Red Mandala, 1969

Abstract Acrylic on Canvas Painting:

Clarence Holbrook Carter (American, 1904–2000) Yellow Mandala, c. 1970s

Abstract Acrylic on Paper Drawing:

Clarence Holbrook Carter (American, 1904–2000) Caged, 1971

Abstract Landscape Acrylic on Texture Paper Painting:

Clarence Holbrook Carter (American, 1904–2000) Fault Lines, 1971

Seeing Reverberations by Clarence Holbrook Carter

Clarence Holbrook Carter (American, 1904–2000) Seeing Reverberations, 1971-79

Abstract Acrylic on Paper Painting:

Clarence Holbrook Carter (American, 1904–2000) Transection No. 3, 1972

Abstract Oil on Canvas Painting:

Clarence Holbrook Carter (American, 1904–2000) Transection No. 15, 1972

Night Garden by Clarence Holbrook Carter

Clarence Holbrook Carter (American, 1904–2000) Night Garden, 1972

Abstract Acrylic on Board Painting:

Clarence Holbrook Carter (American, 1904–2000) Chimera No. 6, 1973

Abstract Acrylic and Collage on Scintilla Painting:

Clarence Holbrook Carter (American, 1904–2000) In the Window, 1973

Abstract Acrylic and Collage on Scintilla Painting:

Clarence Holbrook Carter (American, 1904–2000) Ablaze, 1973-1979

Abstract Acrylic and Pastel on Textured Paper:

Clarence Holbrook Carter (American, 1904–2000) Chimeras, 1974

Over and Above: Lion by Clarence Holbrook Carter

Clarence Holbrook Carter (American, 1904–2000) Over and Above: Lion, 1974

Figurative Collage Drawing:

Clarence Holbrook Carter (American, 1904–2000) It's Time, 1974

Landscape Acrylic and Pastel on Board Painting:

Clarence Holbrook Carter (American, 1904–2000) Eschatos: Storming, Study for Eschatos No. 32, 1976